Writer/Director Jamin Winans discusses how Uncle Jack was made using the K-7 and provides insight into the craft of filmmaking through an exclusive behind the scenes look.
You can view the video here on my blog, or if you have problems viewing from within my blog, go to our YouTube Channel: http://www.youtube.com/watch?v=tL86qxCasoI
If you haven't seen Uncle Jack or The Rider, two videos we recently commissioned to demonstrate the many possibilities of shooting HD video on a PENTAX K-7, you can scroll down to an earlier post where I've embedded the videos, as well as provided links to YouTube.
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2 comments:
They did a great job. From a storytelling aspect, I enjoyed "Uncle Jack" much more than the famous "Reverie" Laforet movie that came out with the Canon 5d Mark II.
Do you know if Jamin Winans plans to make any more movies with the K-7? I'd love to see what else they could do with it.
"I enjoyed "Uncle Jack" much more than the famous "Reverie" Laforet movie that came out with the Canon 5d Mark II."
On both Reverie and Nocturne I Think that Vincent was approaching his piece with more of a photographers eye and tried to shoot very beautiful MOVING pictures with a loose story to tie the images together. They were technical exercises(sucessful). Uncle Jack was made by story tellers hence a much more compelling piece on its own .no matter what camera ... but the fact it WAS done on a APSC sub 2K$ is in itself proof that story trumps tech .... so go out and shoot
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